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Sony A7S MK III


Average Rating: 5.0 with 1 review

£ 0.000.00
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+ Full 4K, exceptional Quality
+ Lightweight, great for Gimbal/Handheld shooting
+ Supporting Sony's G Master Face-Tracking Autofocus

- Limited to Full Frame in 4K mode (Super35 lenses will vignette)
- No XLR audio input (3.5mm audio jack only)
- 12.1MP makes it behind competition for photographers, although still decent

With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilisation, the α7S III again raises the bar even further for movie makers.

More Details

The Sony A7S III Full-Frame Mirrorless Camera takes the Sony Alpha series to a whole new level of full-frame movie expression. Іt’ѕ еquірреd wіth а new Ехmоr R 12МР Full Frame ВЅІ Ѕеnѕоr which has been paired with the nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе. This prоvіdеѕ uр tо 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ, reduced rolling shutter, 15 stops of dynamic range, extra-strong image stabilisation, ultra-low-noise & exceptional low light performance.

Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s FX9 & VENICE cameras with the ability to shoot S-Log3 & S-Gamut3.Cine for better colour matching.

Included In Your Hire

  • 1 x Sony AS7 MkIII Body
  • 1 x Rubber Eyecup
  • 3 x Batteries
  • 1 x Charger and Mains Lead
  • 1 x Camera Bag
  • 2 x 160gb CFExpress Cards

Specs

Property Values
Sensor 35mm Full Frame Mirrorless
Lens Mount Sony E Mount
Stills Resolution 12.1 Megapixels
Recording Resolution
  • 4k 10bit 4:2:2
  • 1080p
Recording Media CFExpress
Image Stabilisation Built-in stabilisation and Optical SteadyShot
ISO Range 80-102,400
Video Output HDMI
Weight 700g

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Reviews

Mark Tredinnick Kitcabin Staff

Great camera especially for Video and Low Light shooting

Sony A7S MK III
I use the Sony A7s on the productions I work on all the time, I find it a brilliant cost effective second camera that can be easily matched the with Sony PXW-FS7's I work on a lot in the TV industry.

For the show Snackmasters I was DOP on for Channel 4 we used them mounted on Ronin-S's with Canon 11-24mm's on (your need a metabones with this as well) it gave a real stylised view to the small busy kitchens we were filming in and helped the energy of the kitchen really come across. As we was shooting with a gamma of S-log 3 in the edit they matched perfectly the viewer at home could not tell the difference.

This camera was also my first choice because of its excellent low light capabilities when The Gadget Show (Channel 5) contacted me about a night Golf shoot although not as easy to use as the Fs7 on a shoot as fast passed a Gadget ones because of its Mirrorless form factor but the low light pictures were amazing, be careful and run some tests before hand and set yourself a ISO limit, as if you go completely overboard with the ISO the picture of course does fall apart.